A great idea this, organised by Elodie from the Plough at Manston - three nights of music in a huge marquee on the tarmac carpark at the side of the pub, with a cheap bar & camping in the field next door - a perfect setup.
We played the Thursday night, which was always going to be the trickiest in terms of getting people through the door, and sure enough despite the luvverly balmy September evening yer actual punters were a bit thin on the ground. I suspect the long, soggy weeks of the 'summer' have worn away everybody's resolve to party. Terrific marquee though, and the PA & sound guy did a great job (as did the barstaff - we did our level best to keep them fully occupied...)
I really hope the numbers were up for the following two nights, as we'd love to come back & do it again sometime. And I'm pleased to say that despite the Plough's rural location (try as I might I couldn't see any other buildings for miles), we got a noise complaint from someone who couldn't hear their telly...
A cynical, gloomy & ultimately pointless meander through the dusty corridors of my ever-deteriorating mind. And, as an added bonus, highly subjective reviews of Billy in the Lowground gigs, including such pictures as I deem to be sufficiently flattering...
Wednesday, September 24, 2008
Wednesday, September 10, 2008
Bye bye Nige...
Another nice little gig at the Prom in Bristol last week, well attended despite the rain lashing down outside. I think everyone's got so used to the idea that it's going to rain all summer that we've resigned ourselves to it now. The Prom have installed a fancy new lighting rig, plus video screens that beam images of the stage to all those far-flung corners of the venue that people hide in to try & avoid the band... it wasn't working yet though, so they could cower in relative safety.
As it turns out, this was mandolin player Nige Lloyd's last gig with the band - he's just turned 50 and has decided to call it a day. Apparently, 'white collar' mandolin players are allowed to retire early because of the wear & tear on the fingers, whereas those of us in the 'blue collar' rhythmn section are compelled to carry on until at least 65. There is, of course, no upper limit for fiddle players.
So, a vacancy has opened up; aspiring candidates should possess all of the following:
1. A mandolin, or a 5 string banjo (tools not provided)
2. Ability to play said mandolin or 5 string banjo (otherwise you'll look pretty silly standing on stage)
3. A driving license & some wheels! (so you can like, get there & stuff)
Non essential, but advantageous:
4. Freakish strength, for loading/unloading gear from van.
5. Ability to survive for long periods with no sustenance other than petrol station Scotch eggs.
If you know someone who fits the bill, get in touch here or via the band website, and we'll come round with some chloroform & a sack!
As it turns out, this was mandolin player Nige Lloyd's last gig with the band - he's just turned 50 and has decided to call it a day. Apparently, 'white collar' mandolin players are allowed to retire early because of the wear & tear on the fingers, whereas those of us in the 'blue collar' rhythmn section are compelled to carry on until at least 65. There is, of course, no upper limit for fiddle players.
So, a vacancy has opened up; aspiring candidates should possess all of the following:
1. A mandolin, or a 5 string banjo (tools not provided)
2. Ability to play said mandolin or 5 string banjo (otherwise you'll look pretty silly standing on stage)
3. A driving license & some wheels! (so you can like, get there & stuff)
Non essential, but advantageous:
4. Freakish strength, for loading/unloading gear from van.
5. Ability to survive for long periods with no sustenance other than petrol station Scotch eggs.
If you know someone who fits the bill, get in touch here or via the band website, and we'll come round with some chloroform & a sack!
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